On view in this exhibition will be a selection of artworks by contemporary artists including Elizabeth Peyton and Dana Schutz, artists of Katz’s generation such as Ronald Bladen and Al Held, whose reputations continue to grow, and foundational early twentieth-century modernists such as Charles Burchfield and Marsden Hartley. Sunday: Noon–5 p.m. Closed Mondays  

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Featuring numerous recent acquisitions, this exhibition presents selections from the Colby Museum’s holdings of contemporary works on paper. Many of the artists represented are new to the collection and have entered it through their accomplishments in printmaking. Sunday: Noon–5 p.m. Closed Mondays

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This major exhibition will introduce audiences to an overlooked body of work and consider it within the context of the aesthetic commitments of the decade. Brand-New & Terrific: Alex Katz in the 1950s features sixty-five paintings, cutouts, and collages, including many on loan from the artist and major public and private collections. Sunday: Noon–5 p.m. Closed Mondays

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The exhibition reexamines Whistler’s relationship to the Etching Revival in Britain, French Realism, American Impressionism, and transatlantic Aestheticism. Aesthetic Harmonies explores the many artistic, social, and historical contexts in which we can situate the artist James McNeill Whistler. Drawing from the museum’s rich collections of European, American, and Asian art. It als...

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This exhibition brings together the work of Colby College faculty artists, From the Studio presents recent work by Bradley Borthwick, Bevin Engman, Gary Green, Garry Mitchell, and Scott Reed. Sunday: Noon–5 p.m. Closed Mondays

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This comprehensive exhibition - Drawn entirely from the renowned Lunder Collection—featuring the finest examples of his prints among works in other media—explores Whistler’s travels across Europe in his quest to re-imagine his surroundings and to transport the modern world into the “realm of art.” Sunday: Noon–5 p.m. Closed Mondays

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September 24, 2015 - August 21, 2016 - Rather than shaping, carving, or casting three-dimensional forms, he now assembles and arranges visual experience, using what captures and holds his attention to generate orchestrated constellations of marks, such as those that make up Permanent Maintenance, his largest wall drawing to date. Commissioned by the Colby College Museum of Art, this multipart piec...

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Turning Back, an exhibition of 164 photographs by acclaimed photographer Robert Adams, will be on display at the Colby Museum of Art beginning February 2nd. According to Adams, “The theme of this work is the glory of the natural world and the tragic nature of human beings. The West is gone. What did we do with it? What have we traded for this great forest? What did we get in exchange?”...

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February 2 - June 5, 2016 - Turning Back, an exhibition of 164 photographs by acclaimed photographer Robert Adams, will be on display at the Colby Museum of Art beginning February 2nd. According to Adams, “The theme of this [work] is the glory of the natural world and the tragic nature of human beings. The West is gone. What did we do with it? What have we traded for this great forest? What ...

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February 2 - June 5, 2016 - Summer Nights at the Dollar Tree may pay homage to one particular series by Robert Adams, but it comes into especially sharp focus when seen in proximity to Turning Back. Adams’ record of deforestation presents the legacy of westward expansion with great urgency, while, here, Soth studies our relationship to the built environment that has diverted and displaced th...

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